Megan Landon

Comfort and Odalo Wasikhongo: The Story of “Two Brothers”

March 11, 2025

Artistic talent runs deep in the Wasikhongo family. Brothers Comfort and Odalo share a natural spark of creativity, showcased in “Two Brothers,” the spring exhibition in Gallery III. Though their styles and messages differ, their art is shaped by family, shared experiences and a deep respect for one another.

Born just a year apart, Comfort and Odalo grew up in Madison, immersed in music, sports and, of course, art. Their mother, Dr. Freida High Wasikhongo Tesfagiorgis, was a professor of African American and African art history and visual culture at UW-Madison.

“Our mom was always a huge influence," they share.

Odalo recalls sitting on the floor as children, coloring together: “We’ve always done creative work, both together and apart.”

As they got older, their paths diverged. Comfort studied in Florida and Chicago before returning to Madison to complete his BFA at UW-Madison while training as a weightlifter at Gold’s Gym. He later earned an MFA in painting from Temple University. Odalo headed west, earning a BFA in film/video from California Institute of the Arts, followed by a master’s in arts management in Chicago.

Eventually, both returned to Madison and settled into their art practices. When an opportunity to exhibit at Overture Galleries arose, they knew it was time to unite their work for a joint exhibition.

“We have both been in different places, on different journeys, filling our baskets separately—but now we are coming together to share it,” Comfort says.

Oveture Gallery III - "Two Brothers"

Of Kenyan and African American descent, their visits to Kenya also shaped their work, deepening their connection to their heritage. Comfort’s work includes another two brothers—a portrait tribute to their late father, Dr. Joab N. Meshack Wasikhongo, and their late uncle, Mr. Gideon Wandera, a Kenyan politician.

This exhibition represents a dream realized—a culmination of years of personal exploration and growth, shaped by family and community support.

Throughout their artistic journeys, Comfort and Odalo’s relationship has been one of constant dialogue, support and inspiration.

"Our brotherhood has influenced me to be more authentic and to say what is in my heart," Odalo shares.

Comfort also values their creative bond. "We talk a lot," he says. "We share stories about our memories in Madison... we are always there for each other."

While both artists explore cultural, social and personal themes, their approaches differ. Odalo’s work reflects his spiritual journey and the intersection of faith and art.

"I use my art to explore my relationship with God, to understand the challenges I’ve faced, and to express gratitude for the blessings I’ve received," he says. "My work is about finding joy and meaning, even in life’s struggles."

Odalo Wasikhongo

Comfort focuses on portraiture, particularly of bodybuilders and influential cultural male figures. He uses collage and painting to merge historical and personal narratives—celebrities and friends. Through these juxtapositions, Comfort sparks deeper conversation, sharing his knowledge and unique perspective with viewers.

"Our mom shared her knowledge with us—about art, the importance of art and the Black diaspora," Comfort reflects. "I hope one day I can share all the knowledge I’ve received from her."

Comfort Wasikhongo, "Nothing so cold should ever be this gray"

For both brothers, exhibiting at Overture is deeply meaningful.

"Overture plays a huge role in supporting local artists," Odalo says. "To have my work displayed here is life changing. It has given me confidence and a sense of dignity and respect for my artwork."

Comfort, who returned to Madison with a commitment to his community, shares a similar sentiment.

"There is something special about Madison," he says. "I feel like it’s a place I can make a difference and impact my own community." In addition to being an artist, Comfort is making an impact as an Overture staff member, working on both the security and front-of-house teams.

When viewing the artwork, "each piece is its own conversation," notes Odalo. "I hope people ask themselves, 'What is the artist saying? How does this work impact me?'"

Audiences are invited to take in this gallery slowly and intentionally, seeing the work—and themselves—in a different light. Visit Two Brothers in Gallery III from now until June 8, 2025, during Overture open hours or before a performance.