Past Exhibitions

Information about our recent exhibitions.

Summer Exhibitions

This summer’s exhibitions explore the power of voice—what it means to be seen, heard and represented. Through personal stories, political expression and shared imagination, artists speak out and invite others in. From collaborative projects to solo reflections, each exhibition highlights a unique perspective. Together, they show how many voices, when gathered, can tell a deeper story, create connection and strengthen community. These exhibitions remind us that art is not just expression—it’s participation, presence and a call to listen.

Gallery I: Threading Through Us

Tuesday, June 17 - Sunday, August 24

This collaboration explores how our lives and relationships are like threads—knotted and tangled, weaving and unique—telling a larger story of how we enrich each other’s lives. Throughout this two-year journey, these five artists walked through life together as they collaborated in creation. 

Dr. Fabu Phillis Carter

Dr. Fabu Phillis Carter collaborated with the "Threading Through Us" visual artists to bring poetic depth to the project. Throughout the two-year journey, D. Carter wrote original poetry inspired by the group’s shared theme and creative process. In turn, the "Threading Through Us" visual artists drew from her emerging poems, allowing her words to influence and enrich the development of their own visual work.

Gallery II

Tuesday, June 17 - Sunday, August 24

We Make It Together

ArtWorking Artists & Staff

These collaborative paintings are made by artists and staff from ArtWorking, a Madison art studio that supports artists and entrepreneurs with disabilities. 

Gallery III: Speaking Freely - Personal & Political

Tuesday, June 17 - Sunday, August 24

Drawing upon how and where we tell our personal and political stories, Larson imagines the atmosphere of free speech. Vander Horck uses the female figure to engage in a visual dialogue about lived experience in contemporary culture. 

Playhouse Gallery

Tuesday, June 10 – Sunday, August 17

Mysterious Minds

Birgit Bach, Sandra Belozercovsky, Yuki Marsh & Jaroslava Sobiskova

Step into a world of imagination as you journey through realms of fantasy, dreams and symbolism, expressed across five unique artistic media. This exhibition delves into the subconscious, exploring the surreal landscapes of the mind.

Curated by Jaroslava Sobiskova.

Rotunda Gallery

Tuesday, June 24 - Sunday, August 10

Inspiring Hope: Celebrating Joy in the Journey

Alex Haunty, Max Divelbiss & Anastasia Wilson

These Inspiring Hope Ministries artists overcome their personal and physical challenges, using their art to communicate the joy and wonder that lies within and beyond the context of disability and limitation. 

Spring Exhibitions

In Spring 2025, art becomes a vessel for memory, capturing the enduring connections between people, land and culture. Through diverse mediums, the exhibitions explore how personal experiences, emotional genesis and cultural histories are preserved and passed down, safeguarding stories of change and reflection

Playhouse Gallery

Tuesday, March 18 – Sunday, June 1

Hmong Diaspora in Tapestry

The Hmong Institute

2025 marks 50 years since the Hmong diaspora from Laos, and this historic collection preserves their lived experiences and stories through textile art. Woven and embroidered story cloths offer insight into Hmong history and the Ban Vinai refugee experience, educating and inspiring the Hmong community and beyond. This exhibition is part of The Hmong Institute’s 50th-anniversary activities commemorating the Hmong diaspora.

Winter Exhibitions

This season at Overture Center galleries, explore resilience and rebuilding through art. From reimagining memories and natural forms to celebrating community and creative collaboration, these exhibitions showcase how artists respond to challenges and changes. Our Playhouse Gallery exhibition highlights our 20th Anniversary. “Impact!” reflects the enduring spirit of creativity that has defined Overture Galleries for two decades.

Gallery I: Bringing Back Memories

Tuesday, December 10 - Sunday, March 2, 2025

This duo explores memory in two distinct ways. Fernando Rico paints the landscapes of his country, or memories of them, as an attempt to bring memory with him and make it an ally to combat loneliness among other demons. Denise Presnell employs the marks, forms and textures of the previously painted layers to develop new directions.

Gallery II: Breaking Into Beautiful

Tuesday, December 10 - Sunday, March 2, 2025

Twists and turns transform our lives in unexpected ways. Elizabeth Tuttle explores the shattered forms of storm-tossed trees, fallen on the forest floor. Lael Sheber collaborates with the natural world to reorganize the broken pieces of ourselves into something unimagined, magnificent and whole.

Gallery III: Views and Hues

Tuesday, December 10 - Sunday, March 2, 2025

Henry Matthiessen III and Dawn Wians set out to explore human scale in their work. One discovers a grounded connection to the earth through painting abstracted woodlands, and the other amplifies humanity’s insignificance in the universe through a camera lens. Explore contrasting perspectives in this collaborative exhibition.

Playhouse Gallery

Tuesday, November 26 – Sunday, March 9, 2025

Collage of various artwork.

Impact! Celebrating 20 Years of Art at Overture Center

Varous Artists

“Impact!” honors our anniversary by highlighting the dynamic intersection of visual arts, music and performance, reflecting the enduring spirit of creativity that has defined Overture Galleries for two decades.

Rotunda Gallery - The Fabric of Community

Tuesday, November 19 - Sunday, February 23, 2025

Textile, paint and collage portraits celebrate life at all stages in “Fabric of Community.” The work of Tracy Nickolaus and Alicia Rheal explores a range of experiences and exposes the strength and fragility of individuals through meditation on the present and reflections of the past. 

Fall Exhibitions

On display:

Galleries I, II & III: Tuesday, September 3 - Sunday, December 1, 2024

Playhouse Gallery: Tuesday, August 27 – Sunday, November 17, 2024

This fall, our galleries showcase exhibitions that examine the human experience—everything from resourcefulness to childhood to humor. "Abandoned Abundance" critiques consumerism and global frictions with repurposed materials. "Masks & Mirrors" blends allegory and satire, exploring myth and absurdities with humor. "A Place of Whim and Wonder" captures the magic of childhood through vibrant works. PhotoMidwest's "In Search of Awe" highlights awe-inspiring photography, while "Her Art" empowers female-identifying teen artists to celebrate their true selves.

Gallery I: Abandoned Abundance

Erin Liljegren and Christina Ruhaak create tactile environments enhanced by their vivid and complex use of color. Liljegren investigates the deprivation of natural resources and the over-consumption of consumer goods using paint and repurposed materials. Ruhaak amasses and layers the remnants of domestic life as commentary on global frictions and the consequences to families and communities.

Gallery II: Masks & Mirrors

Hideki Suzuki and Jolynn Reigeluth's joint exhibition blends observations, imagination and humor in our everyday lives. Suziki's allegorical masks and Reigeluth's satirical portraits explore myth, history and human absurdities, igniting introspective laughter and peculiar emotional revelations.

Playhouse Gallery

Tuesday, August 27 - Sunday, November 17 In Search of Awe

PhotoMidwest

Photographic images capable of evoking a sense of awe possess a distinctiveness that makes them stand out from the ordinary. They have the power to evoke emotional or visceral reactions. This juried exhibition highlights the awe-inspiring photography created by members of PhotoMidwest.

Rotunda Gallery

Tuesday, September 10 - Sunday, November 10 Her Art

Various Artists

This showcase of work by female-identifying teen artists empowers girls to celebrate themselves not for what they look like, but for who they are.

Summer Exhibitions

On display:

Galleries I, II & III - Tuesday, June 18 - Sunday, August 25, 2024

Playhouse Gallery: Tuesday, June 11 – Sunday, August 18, 2024

Rotunda Gallery: Monday, June 24 - Sunday, August 11, 2024

Our exhibitions highlight how art stimulates thought, motivates action and promotes cross-cultural understanding. Overture Galleries are always free and open to the public, with most artworks available for purchase.

HOW TO PURCHASE ART

Gallery I: Echoes of the Mind

Navigate the intricate landscape of perception and memory as each creator explores the evolving narratives within, unveiling the echoes of personal experiences that shape and reshape one’s understanding of self and place. In this introspective exploration, the mind becomes a canvas saturated by color, where perceptions weave a rich tapestry of individual and collective stories.

Gallery II: Of Bones and Soul

Using inspiration from the form and function of human anatomy, history and the contemporary, these artists’ works seek to explore the obscure and dynamic beauty within the body-mind connection, revealing truths of society and self.

Collage of newspaper, painted leaves, a bird a seethrough hand with bones visible, and other patterns.

Gwendolynn Fabert Maitzen

Gallery III: On the Border

The artists’ separate currents of creativity converge on the border between Mexico and the United States. Their work is a testament to how people with vastly different methods and origins can unite for a common cause.

Black, blue, red, yelow and orange paper silhouettes arranged to look like they are tumbling along four horizontal black bars on white background.

Judith Bradshaw-Rouse

Playhouse Gallery

Tuesday, June 11 - Sunday, August 18 For the Time Being

Various Artists

“For the Time Being” combines glass and neon works from the 2023/24 academic year’s UW-Madison neon and glassblowing courses. It speaks to current works created by the active student body and acknowledges how creativity within a communal environment is constantly changing.

Rotunda Gallery

Monday, June 24 - Sunday, August 11, 2024 Celebrating Madison's Sister Cities

Various Artists

Since 1986, the Madison community has supported lasting and meaningful relationships worldwide through its sister city programs. This exhibit celebrates that long-standing legacy. Join us for a look into the windows of our sister cities through these images

Spring Exhibitions

On display:

Galleries I, II & III - Tuesday, March 19 - Sunday, June 9, 2024

Playhouse Gallery: Tuesday, March 12 – Sunday, June 2, 2024

Rotunda Gallery: Tuesday, March 26 - Sunday, June 16, 2024

This spring, Overture’s exhibiting artists take everyday ideas and transform them into aesthetic experiences. Harlowe and Lewis dive deep into life’s natural rhythms, while Gill and Laub’s vibrant colors speak to their upbringing and connections. Singer and Riel give everyday objects a whimsical twist, and Audifax and Landis create mystical worlds that reveal a hidden sacred reality. In the Playhouse Gallery, The Macondo Project Collective delves into cultural identity and experiences through Magical Realism.

 

Gallery I: The Shape of Time

Our world is full of symbols of cycles of life and death, growth and regrowth, and consistency alongside change. These themes are explored through silhouettes, graphic patterns and nature’s rhythms in Harlowe’s paintings and through tangled still lifes and gardens of repeated patterns in Lewis’s mixed-media work.

Gallery II: Color Play

Gill and Laub’s colorful work interprets the magic of the world in which they live. Gill’s paintings and collages address the human experience from her Caribbean perspective. Laub, through her bright, textured mosaics, conveys the joy and peace she finds in nature.

Gallery III: Something to Chew On

Singer and Riel creatively depict everyday objects with distinct styles, using vibrant colors to highlight details. Riel focuses on food and everyday items, painting in oil on canvas. Singer employs multimedia techniques to create prints and illustrations notable for their whimsy and attunement to detail.

Playhouse Gallery

Colorful collage of 4 artworks in a grid with a fifth piece cropped into an outlined circle in the center.

Tuesday, March 12 - Sunday, June 2

Realismo Magico: Realidades Soñadas

Magical Realism: Dreamed Realities

 

Macondo Project Collective

Ernesto Atkinson | Rodrigo Carapia | Angelica Contreras | Jacobo Lovo | Issis Macias | Francisco X. Mora | Richie Morales

 

Macondo’s Dreamed Realities exhibit aims to expand Magical Realism’s exploration of cultural influences, memory and identity to engage the audience in a visual discourse.

Rotunda Gallery: Whispers of Worlds

Tuesday, March 26 - Sunday, June 16

Audifax and Landis create portals that unlock an access between our world and beyond. The movement on the canvas creates a stillness within us, reflecting a poetry deep inside, connecting us to the place of the unseen.

Winter Exhibitions

On display:

Galleries I, II & III - Tuesday, December 12 - Sunday, March 10, 2024

Playhouse Gallery: Tuesday, December 5 – Sunday, March 3, 2024

This new season brings with it an array of visual experiences. Galleries I and II will transport you into architectural marvels, pulsating cities, tranquil lakes and water, and the transformative forces of destruction and resurrection. Gallery III highlights the worlds of little wonders just beneath it all.

Meanwhile, the Playhouse Gallery displays the raw beauty of natural elements and the shapes and patterns that weave our world together, inviting you to reconnect with the earth, air and water that sustain us.

To connect and learn more, join us for artist talks at the reception. Overture Galleries are always free and open to the public.

Embrace the winter season with artistry that feeds the soul!

Gallery I: Un/Inhabited

“Un/Inhabited” is the intersection of habitation and self. Barenz explores the link between our external surroundings and inner landscapes inspired by her daily walks near water. Meanwhile, Steinberg depicts homes that are in flux, embodying resurrection through destructive forces. Together, these artists evolve boundaries where water and fire merge.

Overture Blog

Stephanie Barenz: Overture Galleries artist explores ‘belonging’

Multiple pieces of framed artwork leaning against a wall with blue, copper, and white tones. A hand is coming from the left and resting on one of the pieces.

Gallery II: Water and Bricks

Journeying from gritty Brooklyn streets to Madison’s serene lakes, Westring and Handy unite in a captivating exhibit. They intertwine water’s transformative power and tales of urban origins through vivid paintings, evocative imagery and timeless aquatic connections.

Gallery III: (W)understory

Beneath the thick canopy of our everyday awareness, a realm of fascination unfolds. House, Kaye and Koppa explore worlds of wonder built from familiar components, inspired by what is and imagining what could be.

Playhouse Gallery

An art piece made from natural materials depicting a white skull with a flower on its forehead surrounded by bright green pointy leaves against wood.

Tuesday, December 5 – Sunday, March 3, 2024

Nature's Kaleidoscope: Patterns of Fragility and Resilience

Heather Baker | Amanda Langer | Michelle Schwengel-Regala | Cassandra Smith | Max Sorenson | Francis Stanton

 

Through a variety of media and artistic disciplines, these six artists explore a deep connection with the natural world and human systems through texture and pattern. Their work aims to illustrate visual rhythms in nature and contrast ephemeral and delicate aspects of existence and the remarkable ability to adapt, endure and thrive.

Fall Exhibitions

On display:

Gallery I, II, III - Tuesday, September 5 - Sunday, December 3, 2023

Playhouse Gallery - Tuesday, August 29 - Sunday, November 26, 2023

Immerse yourself in a journey through the artistic wonders as Galleries I, II and III showcase artworks created by women artists. From powerful self-reflections and narratives to multimedia installations, these exhibitions offer a diverse range of perspectives and unveil the realms of creativity and expression. In the Playhouse Gallery, investigate your relationship with garbage. "Garbology" breathes new life into discarded objects and explores our collective and individual waste.

To connect and learn more, join us for artist talks at the receptions. Overture Galleries are always free and open to the public, with most artworks available for purchase. Be inspired and enjoy!

Gallery I: Burning at Both Ends

Jennifer Bastian and Heather Rasmussen have been friends for nearly 15 years. As artists and mothers, they make work connected to the labor of the body, family and community, using a language of visual symbols to illustrate themes of discomfort and comfort-seeking.

Artists' Statement

Gallery II: Parallel Paths

Molly Krolczyk’s paintings and Rita Yanny’s mixed media pieces are displayed together in this collaborative exhibition. Their different styles are both characterized by spontaneity, color and layering. Many of these works were created simultaneously during shared studio time they call “parallel.”

Gallery III: Objects May Appear Closer Upon Reflection

Three artists trace their trajectory growing up as women, having to navigate societal expectations of perceived feminine identity at various stages. Each artist explores her own interior and exterior evolutions, costume changes and shifting roles along her journey.

Playhouse Gallery

Artistic green banner featuring trash bags and an odd collections items including an ornate book, fish, banana peel, and a racoon in a sweater

Tuesday, August 29 - Sunday, November 26

Garbology: What We Throw Away

Forward Theater Company, Madison Arts Commission, and Arts + Literature Laboratory present an exhibition of recent work inspired by and composed from the things we discard, concurrent with Forward's production of The Garbologists by Lindsay Joelle.

 

Garbology is supported by City of Madison Recycling.

Rotunda Gallery

Gallery wall with four large paintings. Each painting features a different person.

Tuesday, September 26 - Sunday, November 12

Wisconsin Hispanic Leaders

The first annual Hispanic Heritage Month Celebration organized by LOUD is an amazing collection of talented local Hispanic artists, creating portraits of six longstanding Hispanic community leaders.

Prior to the Mariachi Herencia de México performance on Saturday, October 7 at 7pm there will be an Hispanic Heritage Month celebration with Latinos Organizing for Understanding and Development (LOUD), a statewide initiative focused on promoting collaboration between Latino arts and service organizations, artists and the communities in which they operate.

LEARN MORE

Featured artists and Leaders at the 2023 Hispanic Heritage Month Celebration include:

Patricia Castaneda Tucker painting a portrait of Anita Herrera

Carlos Raul Mireles painting a portrait of Ben Obregon

Chele Ramos painting a portrait of Maria Banuelos

Carina Vargas Nunez painting a portrait of Lucia Nunez

Sophia Voelker painting a picture of Ricardo Gonzalez

Rozalia Singh painting a portrait of Dr. Salvador Carranza

Meet the Leaders (English)

Ben Obregón

Ben Obregon is a well-known, well-respected man about town. Obregon, a long-time Madison community leader, regularly attends local fundraising events, receptions, galas, advocacy and other community meetings.

Obregon frequently attends the National Migrant and Seasonal Head Start Conference in California or visit the Wisconsin federal congressional delegation in Washington, D.C

Obregon is the board chair of United Migrant Opportunity Services, Inc. (UMOS), headquartered in Milwaukee, Wis. UMOS is the largest Hispanic-managed, non-profit agency in Wisconsin and one of the largest in the country that provides programs and services which improves the employment, educational, health and housing opportunities of underserved populations.

Although Obregon is retired, he has had a cross-section of nonprofit, government, education and corporate employment and volunteer experiences, including at La Guadalupana Senior Center, Near East Side Coalition for Older Adults, Wisconsin Department of Public Instruction Chapter I Migrant Programs, El Primer Paso Bilingual Day Care Center and Gallina Property Management, to name a few.

Obregon was one of the original board members that formed Centro Hispano of Dane County. He is a previous board chair of Legal Action of Wisconsin and currently sits on the Governor’s Council on Migrant Labor.

From the farmworker movement in the 1960s to the Latino Social Justice Movement of today, Obregon continues to be known as the “go to” Madison man about town, and he continues to be known for asking his most popular question... “What can I do to help?”

Anita Herrera

Anita Herrera was born in San Antonio, Texas, in 1935. She was the seventh in a family of nine children whose parents had also been born in Texas; their grandparents were born in Mexico. When Herrera was six years old, her family became migrant farm workers. For nine years, they traveled back and forth between Texas and Wisconsin, picking fruits and vegetables as a family.  In 1951, when Herrera’s father became ill, they decided to stay in Wisconsin to get better health care for him. To this day, however, the family still owns property in Texas.

When Herrera started ninth grade, they were living out in the country, and she had to walk a mile to and from the bus to her high school in Kenosha. When winter weather made it difficult to live in the poorly insulated housing for migrant workers near Kenosha, the family moved to Racine, where Herrera attended racially integrated inner-city schools and “embraced everyone that was around me.” She then went to Dominican College of Racine for a year before getting married and starting a family. After her five children had started school, she finished her bachelor’s degree and earned a master’s degree.

Herrera directed the Spanish Center of Racine, Kenosha and Walworth Counties, where she advocated for employment opportunities for Latin@s, African Americans and others. In 1980, she became the Governor’s Advisor on Ethnic and Minority Initiatives, where she worked with Latin@, African American, American Indian and Asian advisory councils. Later, she directed a weatherization program for the Racine Spanish Center. In the 1990s, she returned to Madison, where she was the director of development and training for the Wisconsin Education Association Council and helped start Madison’s first bilingual charter school. Herrera once said that she was proud to have been “a role model for young people who are going to become leaders.”

Herrera passed away peacefully in her home on July 27, 2019.

Ricardo Gonzalez

Ricardo Gonzalez was 12 years old the day the Cuban Revolution prevailed, and Fidel Castro took power. Gonzalez grew up in Camagüey, Cuba. He’s a longtime Madison resident who once served on the city’s Common Council.

In 1959, he was an altar boy at the chapel down the street from his home. “January 1 is a day of precept in the Catholic Church, meaning that day you go to mass. And so I had to go down to the chapel and set up for the mass for that day,” Gonzalez said. “As I was leaving my house, I ran into the el sereno, which is like the nightwatchman of the neighborhood, who happened to be standing right in front of our house. But my family didn’t stay in Cuba much longer. They fled for the United States in 1960.”

Once he was in his 20s, Gonzalez eventually ended up in Wisconsin for a job. He fell in love with Madison, where he opened the iconic Cardinal Bar and Rick’s Havana Club that lasted almost five decades.

Then the Mariel Boatlift got underway in 1980, a period when about 125,000 Cubans fled their homes for the United States. Of that group, almost 15,000 were sent to Fort McCoy in Sparta, Wis. At the time, Gonzalez was executive director of the Madison-based Spanish American Organization. When refugees were sent to Wisconsin, Gonzalez set off to Fort McCoy to help his fellow Cubans find sponsors.

“When we got to Fort McCoy, and I saw all these Cuban(s), mostly men, hanging around with nothing — when I saw that, I hurt, personally. I felt hurt that so many of my countrymen were in that situation. And I thought, ‘This is not right that this is happening, and what are we going to do about it?'” Gonzalez said.

But Gonzalez couldn’t sponsor everyone at Fort McCoy. He and his organization decided to focus on sponsoring families. They also sponsored the small number of single women at Fort McCoy, as well as people in the LGBTQ+ community. Gonzalez and the Spanish American Organization found sponsors around Madison for the refugees.

In 1989 Ricardo Gonzalez was elected to the Madison City Council, where he served until April 1995. His efforts to revitalize the downtown led him to become a prime advocate for building Frank Lloyd Wright's Monona Terrace Community and Convention Center, a project first envisioned in 1938 and finally built in 1997. "Monona Terrace is perhaps my most important legacy as an alderman and one I'm most proud of," says Gonzalez.

After owning the Cardinal Bar for 42 years, Gonzalez decided to sell the business and retire. He continues to be involved in the community as the founder and president of the Madison Camaguey Sister City project.

Maria Guadalupe Bañuelos

Maria Guadalupe Bañuelos is a transformational leader and educator, having served our communities for nearly 50 years mainly in higher education. Bañuelos served in state government from 1980-1982, where she led Gov. Lee Dreyfus’ efforts related to education. From her first position as a faculty member at Waukesha County Technical College in 1967 to her final formal leadership role as Associate Vice President for Learner Success & Diversity and Community Relations at Madison College in 2012, Guadalupe Bañuelos relentlessly pursued excellence and resources to provide opportunity for those often excluded and forgotten: immigrants, those in poverty, those with a disability and those who sought another chance to change their lives. 

From leading the educational response for over 2,000 Cuban refugee arrivals to Fort McCoy in 1980 to leading the college’s nascent Alternative Learning Division, overseeing high school completion, English language learning, innovative long-distance learning solutions for the GED program and Spanish programming for migrant workers, she never lost sight of the importance of education. Through her leadership of the Downtown Education Center and in partnership with government and labor officials, the Madison College opened the first South Madison Education Center at the Labor Temple on S. Park Street in the late 1980s. She also opened the college’s first childcare center, led the Adult Continuing Education division, and offered programming for displaced homemakers, a program for women entering or re-entering the workforce.

With oversight of Madison College’s Diversity and Community Relations work, Guadalupe Bañuelos established strong relationships with the district’s underrecognized racial and ethnic groups and community-based organizations, engaging them in meaningful and responsive conversations about how the college could better serve our communities of color. She partnered internally and externally to develop bridges into the college, developing Spanish-only and bilingual programming, advancing the hiring of people of color, especially in the faculty ranks, and launching under college auspices, the Latino Chamber of Commerce and the African American/Black Business Association.

Guadalupe Bañuelos later oversaw the expansion and move of the Madison College South Campus to The Villager, where the site eventually served over 1,000 students each year. This campus became the footprint for the new Goodman South Campus, which opened in 2019 at the corner of Badger Rd. and S. Park Street, a culmination of over 30 years of investment in the greater South Madison community.

Guadalupe Bañuelos pursued doctoral studies in education administration at the University of Wisconsin-Madison and has a master’s degree in education psychology, counseling and guidance, and a bachelor’s in Spanish and education psychology, all from the University of Wisconsin-Milwaukee. Guadalupe Bañuelos’s career is extraordinary. Her impact was felt beyond the borders of our city and the boundaries of our district. Indeed, Wisconsinites benefited from her leadership and vision that held at its core that all people matter and are worthy of our efforts to extend educational and economic opportunities.  

Lucía Núñez

Lucía Nuñez is a Cuban American educator, community activist, lesbian and changemaker who has lived in Wisconsin since 1999. Her educational experiences were foundational in the work she has done and continues to do in her communities, from Honduras to California to Wisconsin.

Growing up, Nuñez had many influential teachers who recognized her potential. When she was 16, she was accepted at a boarding school in Massachusetts. She went on to study political science at Connecticut College, where she was introduced to literature from Latin America and Spain. During college, she explored and embraced her identities as a Cuban, a Latina and a lesbian. She went to graduate school at the University of Massachusetts at Amherst, where she studied international education.

Before graduate school, Nuñez joined the Peace Corps in 1985, where she met her partner, Heidi Vargas. They were assigned to work in Honduras during an extremely volatile period. Both worked with the Federación Hondureña de Mujeres Campesinas, the Honduran Federation of Rural Women, a women’s village cooperative with a mission to establish schools. In the 1990s, Nuñez worked with teachers at Stanford University in California to help immigrant children and youth succeed in the classroom.

Nuñez moved to Wisconsin in 1999 after accepting the position of executive director of Centro Hispano of Dane County. She helped school systems create more equitable classrooms in response to the tremendous growth of the Latino community during the time. In 2003, she became deputy secretary of the Wisconsin Department of Workforce Development, where she confronted statewide issues facing not just Latinos but rural women and the Native American communities around the state. She then worked as administrator of the Equal Rights Division for the State of Wisconsin and, in 2006, became the first director of the Department of Civil Rights for the city of Madison.

During her years working for the state and for the city, Nuñez was still engaged as an activist. In 2006, she marched at Madison’s Latino immigrant rally with Mayor Dave Cieslewicz. Nuñez currently serves as vice president of Equity, Inclusion and Community Engagement at Madison College. Her continued work is driven by a strong belief in education as an agent for positive change.

Salvador (Sal) Carranza, PhD

Salvador (Sal) Carranza is originally from Mexico. He retired in 2021 as Senior Policy Advisor in the University of Wisconsin System Office of Academic and Student Affairs, where he worked in various capacities in the Budget Office, the Office of Academic Diversity and Development and in the Office of Academic Programs and Educational Innovation. Sal was also State Director for the Title II-A Wisconsin Teacher Quality Improvement Federal Grant, member of the Board of the Wisconsin Advanced Placement Council and Chair of the University of Wisconsin System Academic Staff Council.

Carranza is very involved in the community; he is member of the Governor’s Task Force on Broadband, the Latino Academy for Workforce Development Board of Directors, the Latino Consortium for Action, the University of Wisconsin -Madison UniverCity Alliance and is Chair of the Boys and Girls Club of Dane County Board of Directors. He is also Chair of the Madison/Tepatitlan Sister Cities Association and Treasurer of ADELANTE, a political action organization that trains and supports minority candidates to run for office.

Carranza was President and co-founder of the Latino Education Council, has also been on the Board of United Way of Dane County (UWDC), the UWDC Vision Council and was Chair of UWDC’s Education Committee and the UWDC Campaign Cabinet and Chair of the Combined/Partners in Giving Campaign. He was also member of the Madison College South Campus Advisory Committee, the State Superintendent of Public Instruction’s Equity Advisory Council, the Governor’s What is Best for Kids Advisory Committee and the Governor’s Early Childhood Advisory Council.

Carranza has been recipient of several awards over the years, among them the Dane County Martin Luther King Jr. Recognition award, the Learning Anytime Anywhere Partnership Grant for Migrant Families from the US Department of Education,  the Wisconsin Department of Public Instruction Friend of Education Award,  the Hispanic Man of the Year Award from United Migrant Opportunity Services (UMOS), the Outstanding Advocate for Latino Education from the Dane County Latino Chamber of Commerce, Hispanic Volunteer of the Year  from La Movida Radio Station, the Gladfelter Award for Innovation in Public Service from the La Follette Institute of Public Affairs and, most recently in 2001, the Mexican Government’s OHTLI Award for services to the Mexican and Latinx Community on Wisconsin.

Conozca a los líderes (español)

Ben Obregón

Ben Obregón es un hombre muy conocido y respetado en la ciudad. Obregón, un líder comunitario de Madison desde hace mucho tiempo, asiste regularmente a eventos locales para la recaudación de fondos, recepciones, galas, defensa y otras reuniones comunitarias.

Obregón asiste con frecuencia a la Conferencia Nacional de Head Start para Migrantes y Trabajadores Temporales en California o visita a la delegación del Congreso Federal de Wisconsin en Washington, D.C.

Obregón es el presidente de la junta directiva de United Migrant Opportunity Services, Inc. (UMOS), con sede en Milwaukee, Wisconsin. UMOS es la agencia sin fines de lucro, administrada por hispanos, más grande de Wisconsin y una de las más grandes del país. UMOS ofrece programas y servicios que mejoran las oportunidades de empleo, educación, salud y vivienda de las poblaciones desatendidas.

Aunque Obregón está jubilado, ha tenido una muestra representativa de experiencias de empleo y voluntariado en agencias sin fines de lucro, gubernamentales, educativas y corporativas; entre ellas, La Guadalupana Senior Center, Near East Side Coalition for Older Adults, Wisconsin Department of Public Instruction Chapter I Migrant Programs, El Primer Paso Bilingual Day Care Center y Gallina Property Management.

Obregón fue uno de los miembros originales de la mesa directiva que formó el Centro Hispano del Condado de Dane. Anteriormente fue presidente de la junta directiva de Acción Legal de Wisconsin y actualmente forma parte del Consejo del Gobernador sobre el Trabajo del Migrante.

Desde el movimiento de trabajadores agrícolas en la década de 1960 hasta el Movimiento Latino de Justicia Social de hoy, Obregón sigue siendo conocido como el hombre "a quien acudir" en la ciudad de Madison, y sigue siendo conocido por hacer su pregunta más popular ... "¿Qué puedo hacer para ayudar?"

Anita Herrera

Anita Herrera nació en 1935 en San Antonio, Texas. Fue la séptima de una familia de nueve hijos cuyos padres también habían nacido en Texas; sus abuelos nacieron en México. Cuando Herrera tenía seis años, su familia se convirtió en trabajadora agrícola migrante. Durante nueve años, viajaron de ida y vuelta entre Texas y Wisconsin, recogiendo frutas y verduras como familia. En 1951, cuando el padre de Herrera se enfermó, decidieron quedarse en Wisconsin para obtener una mejor atención médica para él. Sin embargo, hasta el día de hoy, la familia tiene propiedades en Texas.

Cuando Herrera comenzó el noveno grado vivía en el campo. Ella tenía que caminar una milla para tomar el autobús de ida y una milla de regreso a su escuela secundaria en Kenosha. Cuando el clima invernal hizo difícil vivir en las viviendas mal adaptadas para trabajadores migrantes cerca de Kenosha, la familia se mudó a Racine. Allí, Herrera asistió a escuelas racialmente integradas en el centro de la ciudad y "di acogida a todos los que estaban a mi alrededor”, utilizando sus propias palabras. Luego asistió al Colegio Dominicano de Racine durante un año antes de contraer matrimonio y formar una familia. Después de que sus cinco hijos comenzaron la escuela, terminó su licenciatura y obtuvo una maestría.

Herrera dirigió el Centro Hispano de los condados de Racine, Kenosha y Walworth, donde abogó por oportunidades de empleo para Latin@s, afroamericanos y otros. En 1980, se convirtió en Asesora del Gobernador sobre Iniciativas Étnicas y de Minorías, en donde trabajó con consejos asesores de Latin@s, afroamericanos, indios americanos y asiáticos. Más tarde, dirigió un programa de climatización para el Centro Hispano de Racine. En la década de 1990, regresó a Madison, donde fue directora de desarrollo y capacitación del Consejo de la Asociación de Educación de Wisconsin y ayudó a iniciar la primera escuela autónoma bilingüe de Madison. Herrera dijo una vez que estaba orgullosa de haber sido "un modelo a seguir para los jóvenes que se convertirán en líderes".

Herrera falleció pacíficamente en su casa el 27 de julio de 2019.

Ricardo Gonzalez

Ricardo González tenía 12 años el día en que prevaleció la Revolución Cubana y Fidel Castro tomó el poder. González creció en Camagüey, Cuba. Es un residente de Madison desde hace mucho tiempo y en una ocasión fue miembro del Consejo Municipal de la ciudad.

En 1959, era monaguillo en la capilla de la calle de su casa. "El 1 de enero es un día de precepto en la Iglesia Católica, es decir, ese día vas a misa. Así que tuve que bajar a la capilla y prepararme para la misa de ese día", dijo González. "Cuando salía de mi casa, me encontré con el sereno, que es como el vigilante nocturno del vecindario, que estaba parado justo en frente de nuestra casa. Pero mi familia no se quedó en Cuba mucho más tiempo. Huyeron a los Estados Unidos en 1960".

Una vez cumplidos sus 20 años, González finalmente terminó en Wisconsin por motivo de un trabajo. Se enamoró de Madison, donde abrió el icónico Cardinal Bar y Rick's Havana Club que duró casi cinco décadas.

Luego, el éxodo del Mariel se puso en marcha en 1980, un período en el que unos 125.000 cubanos huyeron de sus hogares hacia Estados Unidos. De ese grupo, casi 15,000 fueron enviados a Fort McCoy en Sparta, Wisconsin. En ese momento González era director ejecutivo de la Organización Hispanoamericana con sede en Madison. Cuando los refugiados fueron enviados a Wisconsin, González partió a Fort McCoy para ayudar a sus compatriotas cubanos a encontrar patrocinadores.

"Cuando llegamos a Fort McCoy, y vi a todos estos cubanos, en su mayoría hombres, dando vueltas sin nada, cuando vi eso, me dolió, personalmente. Me dolió que tantos de mis compatriotas estuvieran en esa situación. Y pensé: 'Esto no está bien que esto esté sucediendo, y ¿qué vamos a hacer al respecto?'" Dijo González.

Pero González no pudo patrocinar a todos en Fort McCoy. Él y su organización decidieron centrarse en patrocinar familias. También patrocinaron al pequeño número de mujeres solteras en Fort McCoy, así como a personas de la comunidad LGBTQ +. González y la Organización Hispanoamericana encontraron patrocinadores alrededor de Madison para los refugiados.

En 1989 Ricardo González fue elegido para el Concejo Municipal de Madison, donde sirvió hasta abril de 1995. Sus esfuerzos para revitalizar el centro de la ciudad lo llevaron a convertirse en un defensor principal de la construcción del Centro Comunitario y de Convenciones Monona Terrace Frank Lloyd Wright, un proyecto concebido por primera vez en 1938 y finalmente construido en 1997. "Monona Terrace es quizás mi legado más importante como concejal y uno del que estoy más orgulloso", dice González.

Después de ser dueño del Cardinal Bar durante 42 años, González decidió vender el negocio y jubilarse. Continúa involucrado en la comunidad como fundador y presidente del proyecto Madison Camagüey Sister City.

Maria Guadalupe Bañuelos

María Guadalupe Bañuelos es una educadora y líder transformacional que ha servido a nuestras comunidades durante casi 50 años, principalmente en el área de la educación superior. Bañuelos sirvió en el gobierno estatal de 1980 a 1982, donde dirigió los esfuerzos del gobernador Lee Dreyfus relacionados con la educación. Desde su primer puesto como miembro de la facultad en Waukesha County Technical College en 1967 hasta su último papel de liderazgo formal como Vicepresidenta Asociada de Éxito y Diversidad de Estudiantes y Relaciones Comunitarias en Madison College en 2012, Guadalupe Bañuelos buscó implacablemente la excelencia y los recursos para brindar oportunidades a aquellos a menudo excluidos y olvidados: inmigrantes, personas en situación de pobreza, aquellos con una discapacidad y aquellos que buscaron otra oportunidad para cambiar sus vidas.

Bañuelos nunca perdió de vista la importancia de la educación, desde liderar la respuesta educativa para más de 2,000 refugiados cubanos que llegaron a Fort McCoy en 1980 hasta liderar la naciente División de Aprendizaje Alternativo de la universidad, supervisar la finalización de la escuela secundaria, el aprendizaje del idioma inglés, las soluciones innovadoras de aprendizaje a distancia para el programa GED y la programación en español para trabajadores migrantes. A través de su liderazgo del Centro de Educación y en asociación con funcionarios gubernamentales y laborales, el Madison College abrió el primer Centro de Educación del Sur de Madison en el Templo del Trabajo en South Park Street a fines de la década de 1980. También abrió el primer centro de cuidado infantil de la universidad, dirigió la división de Educación Continua para Adultos y ofreció programas para amas de casa desplazadas, un programa para mujeres que ingresan o reingresan a la fuerza laboral.

Con la supervisión del trabajo de Diversidad y Relaciones Comunitarias de Madison College, Guadalupe Bañuelos estableció relaciones sólidas con los grupos raciales y étnicos poco reconocidos del distrito y las organizaciones comunitarias, involucrándolos en conversaciones significativas y receptivas sobre cómo la universidad podría servir mejor a nuestras comunidades de color. Se asoció interna y externamente para desarrollar puentes hacia la universidad, desarrollando programación bilingüe y solo en español, promoviendo la contratación de personas de color, especialmente en las filas de la facultad, y lanzando bajo los auspicios universitarios, la Cámara de Comercio Latina y la Asociación de Negocios Afroamericanos / Negros.

Guadalupe Bañuelos más tarde supervisó la expansión y el traslado del Madison College South Campus a The Villager, donde la sede finalmente prestó atención a más de 1,000 estudiantes cada año. Este campus se convirtió en la huella del nuevo Goodman South Campus, que abrió sus puertas en 2019 en la esquina de Badger Road y South Park Street; una culminación de más de 30 años de inversión en la gran comunidad del Sur de Madison.

Guadalupe Bañuelos realizó estudios de doctorado en administración educativa en la Universidad de Wisconsin-Madison y tiene una maestría en psicología de la educación, consejería y orientación, y una licenciatura en español y psicología de la educación, todos de la Universidad de Wisconsin-Milwaukee. La carrera de Guadalupe Bañuelos es extraordinaria. Su impacto se sintió más allá de las fronteras de nuestra ciudad y los límites de nuestro distrito. De hecho, los habitantes de Wisconsin se beneficiaron de su liderazgo y su visión que sostenía en su núcleo que todas las personas importan y son dignas de nuestros esfuerzos para extender las oportunidades educativas y económicas.

Lucía Núñez

Lucía Núñez es una educadora cubanoamericana, activista comunitaria, lesbiana y agente de cambio que ha vivido en Wisconsin desde 1999. Sus experiencias educativas fueron fundamentales en el trabajo que ha hecho y continúa haciendo en sus comunidades, desde Honduras hasta California y Wisconsin.

Al crecer, Núñez tuvo muchos maestros influyentes que reconocieron su potencial. Cuando tenía 16 años, fue aceptada en un internado en Massachusetts. Luego estudió ciencias políticas en el Connecticut College, donde conoció la literatura de América Latina y España. Durante la universidad, exploró y abrazó sus identidades como cubana, latina y lesbiana. Fue a la escuela de posgrado en la Universidad de Massachusetts en Amherst, donde estudió educación internacional.

Antes de graduarse, Núñez se unió al Cuerpo de Paz en 1985, donde conoció a su pareja, Heidi Vargas. Fueron asignadas a trabajar en Honduras durante un período extremadamente volátil. Ambas trabajaron con la Federación Hondureña de Mujeres Campesinas, una cooperativa de aldeas de mujeres con la misión de establecer escuelas. En la década de 1990, Núñez trabajó con maestros de la Universidad de Stanford en California para ayudar a los niños y jóvenes inmigrantes a tener éxito en el aula.

Núñez se mudó a Wisconsin en 1999 después de aceptar el cargo de directora ejecutiva del Centro Hispano del Condado de Dane. Ella ayudó a los sistemas escolares a crear aulas más equitativas en respuesta al tremendo crecimiento de la comunidad latina durante ese tiempo. En 2003, se convirtió en subsecretaria del Departamento de Desarrollo de la Fuerza Laboral de Wisconsin, donde encaró problemas estatales que enfrentan no solo los latinos sino también las mujeres rurales y las comunidades nativas americanas en todo el estado. Luego trabajó como administradora de la División de Igualdad de Derechos para el Estado de Wisconsin y, en 2006, se convirtió en la primera directora del Departamento de Derechos Civiles de la ciudad de Madison.

Durante sus años trabajando para el estado y para la ciudad, Núñez aún seguía comprometida como activista. En 2006, marchó en la manifestación de inmigrantes latinos de Madison con el alcalde Dave Cieslewicz. Núñez actualmente se desempeña como vicepresidenta de Equidad, Inclusión y Participación Comunitaria en el Madison College. Su trabajo continúa siendo impulsado por una fuerte creencia en la educación como un agente para el cambio positivo.

Salvador (Sal) Carranza, PhD

Salvador (Sal) Carranza es originario de México. Se jubiló en 2021 como Asesor Principal de Políticas en la Oficina de Asuntos Académicos y Estudiantiles del Sistema de la Universidad de Wisconsin, en donde trabajó en varias posiciones en la Oficina de Presupuesto, la Oficina de Diversidad y Desarrollo Académico y en la Oficina de Programas Académicos e Innovación Educativa. Sal también fue Director Estatal de la Subvención Federal de Mejora de la Calidad de los Maestros de Wisconsin Título II-A, miembro de la Junta del Consejo de Colocación Avanzada de Wisconsin y Presidente del Consejo de Personal Académico del Sistema de la Universidad de Wisconsin.

Carranza está muy involucrado en la comunidad; es miembro del Grupo de Trabajo del Gobernador sobre Banda Ancha, la Junta Directiva de la Academia Latina para el Desarrollo de la Fuerza Laboral, el Consorcio Latino para la Acción, la Alianza UniverCity de la Universidad de Wisconsin-Madison y es Presidente de la Junta Directiva del Club de Niños y Niñas del Condado de Dane. También es Presidente de la Asociación de Ciudades Hermanas de Madison / Tepatitlán y Tesorero de ADELANTE, una organización de acción política que capacita y apoya a candidatos minoritarios para postularse para un cargo público.

Carranza fue presidente y cofundador del Consejo Latino de Educación, también ha estado en la Junta Directiva de United Way of Dane County (UWDC), el Consejo de la Visión de UWDC y fue presidente del Comité de Educación de UWDC y del Gabinete de Campaña de UWDC y presidente de la campaña Combined / Partners in Giving. También fue miembro del Comité Asesor del Campus Sur de Madison College, del Consejo Asesor de Equidad del Superintendente Estatal de Instrucción Pública, del Comité Asesor de Lo Mejor para los Niños del Gobernador y del Consejo Asesor para la Primera Infancia del Gobernador.

Carranza ha recibido varios premios a lo largo de los años, entre ellos el premio de reconocimiento Martin Luther King Jr. del condado de Dane, la subvención Learning Anytime Anywhere Partnership Grant for Migrant Families del Departamento de Educación de los Estados Unidos, el premio Amigo de la Educación del Departamento de Instrucción Pública de Wisconsin, el premio al hombre hispano del año de United Migrant Opportunity Services (UMOS), el Defensor Sobresaliente de la Educación Latina de la Cámara de Comercio Latina del Condado de Dane, Voluntario Hispano del Año de la Estación de Radio La Movida, el Premio Gladfelter a la Innovación en el Servicio Público del Instituto de Asuntos Públicos La Follette y, más recientemente en 2001, el Premio OHTLI del Gobierno Mexicano por servicios a la comunidad mexicana y latina en Wisconsin.

Summer Exhibitions

On display:

Gallery I,II,III - Tuesday, June 6 - Sunday, August 27, 2023

Overture summer exhibitions delve into aspects of the vast natural world and beyond – from insights into the animal kingdom, to emotional portraiture and journeys to the mystical and surreal. Summer exhibit media include complex layers of photographs, intricate detailed embroidery, vintage-inspired and metal collage, recycled skateboards, watercolor and more. Let the artworks guide you into flights of imagination, alternate worlds and deep intimacy.

Gallery I: Unnatural Surroundings

Lisa A. Frank and Sarah Stankey explore how we interact with the natural world and the various ways in which we depend on animals.

Lisa A. Frank

Lisa A. Frank reflects upon confinement and displacement through her creation of digital dioramas.

Sarah Stankey

Stankey examines her coexistence with animals through performance and self-portraiture.

Gallery II: Soft Spot

Alyssa Ackerman and Selia Salzsieder explore concepts of intimacy and anonymity through their figurative artwork.

Alyssa Ackerman

Alyssa Ackerman focuses on moments of affection and vulnerability, illustrated through embroidered images of skin, physical touch and nakedness. 

Selia Salzsieder

Selia Salzsieder uses collage to investigate the body’s relationship to gender, sexuality, censorship and nature.

Gallery III: Color: The Language of Nature and Magic

Joseph Taylor and Logu Ramasamy speak the language of color in both the mystical and the earthly realms.

Joseph Taylor

Taylor discovered a new palette of colors in the veneers of broken skateboards that he uses in his woodworking. Taylor’s children’s book, “The Walking Tree,” is presented in the exhibit.

Logu Ramasamy

Logu Ramasamy’s pieces are heavily influenced by village traditions, myths and ritualistic practices in South India.

Playhouse Gallery

Tuesday, June 13 - Sunday, August 20 Dreamscapes

Madison Watercolor Society

Madison Watercolor Society members explore the peculiar reality of dreams using surrealism. Dreams are a portal to our subconscious and may reveal our inner desires. Dreams allow us to process events and intuit solutions. Freed from the physical, everything is possible.

Spring Exhibitions

On display:

Gallery I,II,III - Tuesday, March 14 - Sunday, May 28

Playhouse Gallery - Tuesday, March 7 - Sunday, June 4

This cycle, similar to US democracy, contains a multiplicity of voices presented through adventurous handling of materials and installations. Themes include immigration and layers of the bilingual experience, repair of lost and broken hearts, firefighting training and the ethereal aspects of the human condition. In our Democracy exhibition, more than 50 artists explore their questions and interpretations of the current state of democracy.

Gallery I: Substance | Presence

Hong Huo and Maeve Leslie are both fascinated with translating their narratives into the making and material of art.

Hong Huo

Huo animates her bilingual writing process with ink drawings into a new storytelling device. Leslie depicts the lasting impacts of immigration and assimilation through handmade paper, printmaking and installation.

Maeve Leslie

Leslie depicts the lasting impacts of immigration and assimilation through handmade paper, printmaking and installation.

Gallery II: Meditations on Hope

Katharina Marchant and Lorraine Reynolds portray vulnerability. Marchant’s drawings depict influential moments of her development in the firefighting culture. Reynolds’ sculptures of hearts, the repetitive wrapping of reclaimed fabrics and meditative stitches transform personal grief and trauma into repair and healing. Together, the works are meditations of destruction, creation and rebirth.

Cropped black and white drawing of a firefighter scaling a window with a mask on. Artwork by Katharina Marchant.

Katharina Marchant

Gallery III: Looking Out | Looking Up

The art of Cameron Anderson and Joyce Gust explore the mysterious and ethereal.

Cameron Anderson

Anderson’s new linocuts, watercolors, architectural models and found objects head north to explore memory and meaning.

Joyce Gust

Gust’s paintings and monotypes create a spiritual environment in which figures merge and dissolve.

Playhouse Gallery

A textile collage featuring five diverse people wearing masks. One is holding a rainbow pride flag. Artwork by by Jo-Ann Morgan.

Tuesday, March 7 - Sunday, June 4

Democracy

President Abraham Lincoln described democracy in his Gettysburg Address as a form of ”…government of the people, by the people, for the people…” An ideal democratic system would listen to and serve all its people equally. Today, democracies around the world are being challenged, but what exactly does it mean to be in a democratic system? And who are “the people”? This exhibit provides an opportunity for artists to explore some of these questions along with their interpretations of the current state of democracy.

Digital Gallery: Democracy

President Abraham Lincoln described democracy in his Gettysburg Address as a form of ”…government of the people, by the people, for the people…” An ideal democratic system would listen to and serve all its people equally. Today, democracies around the world are being challenged, but what exactly does it mean to be in a democratic system? And who are “the people”? This exhibit provides an opportunity for artists to explore some of these questions along with their interpretations of the current state of democracy.

Use the arrows to navigate between pieces and descriptions, as well as the + / - zoom to take a closer look. For best experience, click the full screen icon.

 

Educators seeking curriculum materials around the Democracy Exhibition can submit this form to receive them.

Resource Guide Request Form

DEMOCRACY Exhibition Artists: 

Ann Baer • Brandon Bauer • Jamie Bradbury • Eugenia Sherman Brown • Clare Charnley |Marisa Contreras Marulanda • Danielle & John Crim • Rolando Cruz • Robert Ladislas Derr • Nurettin Erkan•Thomas Ferrella • Kathy Fitchuk•  Sarah French • Madison Golden • Tyler Grimes•Karin Hanson•Glen Jenkins • Lewis Koch • Carol Kramer • Diane Kravetz • Pat Kroth • Dara Larson • Cynthia W. Lewis•Memory Cloth Circle • Holly Meyers • Mona Mohagheghi • Richie Morales • Jo-Ann Morgan • Amuri Morris • DarRen Morris • Beth Racette • Tony Riel • Rotate Theatre Company • Ryan Serrano • Lael Sheber • Levi Sherman • Solar Punk Surf Club • Christian Strait • Steve Swagerle • Edie Swift |Laurie Talbot Hall • Sophia Voelker • Mike Watson • Karen Watson-Newlin • Mark Weller • Jing Zhou • Building Unity & 350 Wisconsin Art Collective

Intergenerational Women of Color Speak Out about Democracy

Panel Discussion

Overture Center for the Arts presents “Intergenerational Women of Color Speak Out about Democracy,” a panel discussion in connection with Overture Galleries’ “Democracy” exhibit in the Playhouse Gallery.

Overture Center’s Community Advisory Council is taking on challenging topics to engage our community on relevant issues that elevate the arts. These conversations provide an opportunity to explore the intersection between art and culture as well as social and political issues. The group aims to create a platform for everyone to be part of the discussion, with a focus on preparing the next generation of informed citizens.

Rotunda Gallery 1st Floor: Bajo el Mismo Cielo / Under the Same Sky

Monday, February 13 – Sunday, April 16

Artists Rodrigo Carapia and Issis Macias present powerful collaborative paintings that are a tribute to their shared experiences and Mexican heritage. The title reminds us that despite our differences, we are all united by the same sky and human experiences. The exhibition asks viewers to reflect on our memories, life journeys and the dynamic interplay of cultural influences that shape our lives.

Mostly black and white artwork depicting a family with backpacks traveling as well as paper airplanes and butterflies.

Rodrigo Carapia

Rodrigo Carapia is a self-taught artist who originates from Mexico City. He first began with large scale street art and you might see his colorful murals around Wisconsin and unique merchandise at local art events. Carapia offers workshops in schools and juvenile correctional centers, giving the youth a form of expression and a sense of freedom. His work is also donated to organizations that help the undocumented community and workers' unions.

 

Above: Familia (cropped) by Rodrigo Carapia and Issis Macias

Colorful artwork depicting a hummingbird and a flower

Issis Macias

Issis Macias is a self-taught artist and first-generation Mexican American, born and raised in Los Angeles. Macias’s abstract paintings are varied in style, reflecting an intuitive process and approach. Macias primarily works with acrylic and oil pastels on canvas to create vibrant and emotive compositions where color, shapes and lines convey a visual unity. Through her art, Macias aims to inspire viewers to take a moment of contemplation and introspection.

 

Above: Alma (cropped) by Rodrigo Carapia and Issis Macias

Winter Exhibitions

Gallery I,II,III - Tuesday, December 6 - Sunday, March 5, 2023

Playhouse Gallery - Tuesday, December 13 - Sunday, February 26, 2023

Galleries I, II and III display a range of human identity and history, from Ho-Chunk traditional lifeways and the African American civil rights movement to sibling relationships, gender expression and artist portraits. Visit the Playhouse Gallery to explore the multitudes of roots, from biological to cultural and symbolic, through works by Madison Contemporary Fiber Artists. To connect and learn more, join us for artist talks at the reception. Overture Galleries are always free and open to the public, with most artworks available for purchase. Be inspired and enjoy! 

Gallery I: Healing Journeys: Heritage and Resistance

The Artist & Christopher Sweet

The Artist

The Artist uses his life experiences to inform civil rights portraits and events to bring liberation movements to the forefront of our attention.

Christopher Sweet

Inspired by traditional regalia, storytelling and spiritual connectedness, Christopher Sweet’s paintings capture traditional native ways of life, both past and present, setting intentions of healing and unity.

Gallery II: Fictive Artifacts and Intimate Kinship

Artist Barbara Justice and photographer Chris Chanson expose intimate moments of humanity and reflection. 

Barbara Justice

Justice’s handmade artist books reference memory and personal history through artifacts of the past, found photographs and fictive narratives. 

Chris Chanson

Through his black and white photographs, Chanson captures his sons’ present growing up together as a personal reflection of his lonely childhood without siblings. 

Gallery III: See Me - Expressions of Identity

James Barnard and Chele Ramos’ expressive portraits convey the unique and personal identities of their subjects. 

James Barnard

Barnard’s compelling photographs portray the rich tapestry of individual gender expression. 

Chele Ramos

Ramos’ illuminating watercolor portraits depict artists and artisans in their element, doing what they love. 

Playhouse Gallery

Tuesday, December 13, 2022 - Sunday, February 26, 2023 Roots, Our Foundation

Madison Contemporary Fiber Artists

Roots provide nourishment and support for plants. As people, we are also nourished and supported by our roots. Our families of origin, our culture, the people who have taught and inspired us, and nature are all parts of our foundation as people and as artists. Members of the Madison Contemporary Fiber Artists will display new works that explore and celebrate our own roots. 

Fall Exhibitions

Tuesday, September 20 - Monday, November 28, 2022

The intersection of human-made vs. natural creations and differing interpretations of landscapes dominate this season’s selection of art. Artistic tools include such variety as a grandmother’s antique kitchen implements and astrophotography. From microscopic to galactic, the artwork appeals to viewers to take time to consider how one perceives their current time and place. Overture is pleased to present PhotoMidwest members in their exhibition corresponding with their Biennial Festival 2022. Overture Galleries are always free and open to the public, and most artworks are for sale by regional artists. Be inspired and enjoy!

Gallery I: Structrure and Terrains

Finding inspiration from nature, Mark Pflughoeft and KellyJean Ohl manipulate natural textures and geometric forms within their art.

Mark Pflughoeft

Pflughoeft addresses human interference with the land in his paintings.

Kelly Jean Ohl

Ohl creates textured ceramics inspired by the natural world.

Gallery II: Macro Mezzo Micro

Three perspectives:

Douglas Yu

Douglas Yu’s charcoal drawings reveal a micro world of organic shapes based on natural science.

Michael Knapstein

Michael Knapstein’s photographs express the mezzo view of classic middle America.

Christian Strait

Christian Strait’s macro work uses astrophotography as a starting point to explore the Zodiac.

Gallery III: Liminal Space

Leo Salazar and Michael Wartgow utilize layers to convey a distinct space-time.

Leo Salazar

Salazar paints abstractions of daily inspirations and unique representations of the city of Madison.

Michael Wartgow

Wartgow’s art forces viewers to slow down, be in the present moment and contemplate the importance of history in their personal lives.

Playhouse Gallery

Photo of a Foggy spring day. A sidewalk next to a body of water. A couple sits on a bench. a distant figure walks towards the viewer. Many trees are blooming around them.

Wednesday, August 31 - Sunday, December 4, 2022

PhotoMidwest Member Exhibition

PhotoMidwest, now in its 24th year, serves as a home for photographic arts in the region. Their Madison gallery and workspaces serve a community of artists and supporters, amateur and professional. This show presents a sampling of PhotoMidwest members’ work.

 

RECEPTION: 
Friday, October 7, 5-6:30pm | Playhouse Gallery

 

Reception and Artists' Talks

Spring/Summer Exhibition

Tuesday, April 26 - Sunday, September 4, 2022

Gallery I: Iridescent Windows

Lelia Byron and Luisa Fernanda García-Gómez unearth maps revealing iridescent windows into their inner selves.

Lelia Byron

Byron’s vibrant paintings translate dream fragments where tangles, isolation, cycles and the fantastical collide.

Luisa Fernanda García-Gómez

Through repetitive printing and the creation of patterns, García-Gómez reFlects on her own behavior and the conflicting expectations of society and herself.

Gallery II: Liquid Holes

Bunny Attack (aka Sara Christenson) and Karolina Romanowska delve into intimate human emotions with anthropomorphic surrealism.

Bunny Attack

Bunny Attack utilizes a rabbit motif in detailed ink drawings to convey universal feelings of love, loss and fear.

Karolina Romanowska

Sculptor Romanowska molds folk masks and figures reflecting the dichotomy of internal and external self-expression of identity and emotions.

Gallery III: Fictive Realities

Taj Matumbi and Allison Uselman investigate visual storytelling with two-dimensional media.

Taj Matumbi

Matumbi blends formal abstraction with intentionally naive and self-taught drawing style which represent childhood rites of passage while alluding to individual and collective angst of recent years.

Allison Uselman

For Uselman, stories are the most interesting way she inhabits the world. She illustrates her self-authored short stories with an idiosyncratic vision.

Playhouse Gallery

Featuring works by Isha Camara, Rachel Litchman, Andres Paredes-Vincent, Ann Y. Seliger, Bryce Sprecher, Claire Stovall, Brittany Waldinger, Gabrielle Whisler, Julia Wiessing & Annabelle Zhang

A painting of a woman with pink skin and purple hair.

May 3 - August 28, 2022

Life As We Don't Know It

An exploration of the limits of what both scientists and artists consider “life.” A cohort of multimodal artists have worked collaboratively to redefine what might count as life. The resulting art of this collaboration unveils a cosmos that inhabits new realms of possibility.

Overture Galleries Winter/Spring Exhibition

Tuesday, January 25 - Sunday, April 17, 2022

Gallery I: RE•VISION

Vox Populi

The international, Wisconsin-based Vox Populi Print Collective honors fine art printmaking and provides high-quality exhibition opportunities for members. After the past two years of social isolation, now seems like the right time for us to RE-create ourselves, RE-invigorate our relationships, RE-set our intentions and RE-start the parts of our lives that were put on hold. The Re•Vision exhibition aims to use this time for reflection to create a new vision for the future. Whether your focus is micro or macro, personal or political, cautious or optimistic, now is the time for Re•Vision!

Gallery II: Reenter, Renew

Through relief printmaking and carving, both artists explore the relationship between humans and nature

Sara Meredith

Meredith’s work investigates the parallels between deep sea exploration and traveling to new psychological depths.

Brady Nichols

Nichols’ prints, from his book Stretched Thin, meticulously weave stories that ground the human condition in transformation.

Gallery III: Dog is Alive, Magic is Afoot & Refusing Erasure

A painting of a dog running through a field of flowers.

Lesley Anne Numbers

Dog is Alive, Magic is Afoot is a series of reductive woodblock prints created between January and May 2021. The prints act as portals into an annual cycle of months and moons and commemorate a year of being in a relationship with the natural world.

A black and white drawing of a woman carrying a child on her back. They are surrounded by detailed flowers and other plants.

Carlos Barberena

Portraits by Barberena honor voices that continue to refuse erasure, who have never remained silent. The broad public hears us as the past and the other, static in their present futures: already buried, emigrated, displaced. We are our present and future.

Playhouse Gallery

Featuring works by Ash Armenia, Louise Fisher, J. Leigh Garcia, Derek Hibbs and Zari Williams

A piece of art in the shape of an arch. It is blue and grey and features a woman sleeping and a man with a baseball cap.

February 1 - April 24, 2022

Pressure Points

Pressure Points, featuring printers who currently reside in the Midwest, highlights the innovative ways in which artists use historical and contemporary printmaking methods to call attention to critical issues about queerness, altered ecosystems, immigration, climate change and blackness.

Thanks to Adriana Barrios and the SGCI Conference for their curatorial contributions to this cycle of exhibitions.