National Geographic Live

Capturing the Impossible

with Bryan Smith

Composite image of a vast snowy mountain range and a caucasian man in a cold snowy wilderness with a camera.

Tuesday, May 2

7:30pm

Capitol Theater

$25-$65

Age Recommendation

6 and up

Run Time

Approximately 75 minutes + 15 minute Q&A. No intermission.

Meet the Artist

Stay after the show for a brief informal Q&A session in the theater with the artist.

For extreme filmmaker Bryan Smith, the line between going for it and going too far is often blurry—especially when you’re exploring the earth’s most remote environments. In this edge-of-your-seat presentation, Bryan shows you what it means to adventure with purpose, and why he believes the best expeditions are the ones with a healthy chance of failure. He’s suffered frostbite during the first-ever ice climb of Niagara Falls, explored the South Pacific’s deepest canyons, and scaled North America’s tallest mountains to bring you behind the scenes and capture the impossible.

A collage of various performances coming to Overture. They are interspersed among rays of bright colors.

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About the speaker

A caucasian man with a blue eyes and a baseball cap and a plaid shirt on

Extreme Filmmaker

Bryan Smith

Bryan Smith is an award-winning filmmaker based out of Squamish, British Columbia. His first documentary, 49 Megawatts, received acclaim both for its amazing kayaking footage and insightful exploration of the controversy over British Columbia’s river-based energy production. An online version went viral and led to two-feature length sea kayaking films. His work has appeared at numerous film festivals across the world, including the prized Banff and Telluride Mountain Film Festivals.  

In the past few years, Smith has built on his adventure film roots and developed a strong reputation in both TV documentary and commercial cinematography. With a knack for storytelling, an ability to assemble great teams, and an insane work ethic, his client list has grown to include National Geographic, Discovery, Disney, Red Bull, Patagonia, New Belgium Brewing, Arcteryx, and more. In 2010 he earned a National Geographic Expedition Grant for his work in Kamchatka, Russia, and launched into digital media, co-producing and directing The Season web TV series. He has worked as both a Field Producer and Director of Photography for National Geographic Television on shows including Alaska Wing Men, Explorer, Nat Geo Amazing and Monster Fish. More recently, he co-produced and directed The Man Who Can Fly, a 60-minute special for the National Geographic Channel Explorer series.  

With extensive experience on Red, Alexa, Phantom, Sony F900, Panasonic Varicam, and just about every ENG camera platform, his experience at getting cameras into difficult and remote locations makes him an incredible asset to any production. Smith brings a diverse perspective to non-fiction filmmaking, having worked on TV, independent documentary, and several commercial projects.

  • Photo by Bryan Smith
  • A caucasian man holding a video camera walking down a grassy hill backed by mountainous terrain.

    Photo by Pablo Durana
  • Landscape view of snow-capped mountains in Alaska with cloudy skies. Foreground shows a hill with a photographer's silhouette standing.

    Photo by Pablo Durana
  • Photo by Cameron Sylvester
  • Eagle eye view of an over 100 foot tall tree and surrounding forest. A caucasian man is climbing the tree connected by a green rope.

    Photo by Mason Mashon
  • Photo by Victoria Gridley-Haack
  • Two caucasian men holding video cameras crouched on a grassy hill backed by mountainous terrain.

    Photo by Pablo Durana
  • Photo by Pablo Durana
  • A cameraman wearing ice climbing gear with video camera over his shoulder shooting climbers in an icy cave.

    Photo by Pablo Durana
  • Photo by Pablo Durana
  • Photo by Bryan Smith
  • Photo by Pedro Olivia
  • Photo by Ben Marr
  • Photo by Chris Korbulic
  • Photo by Pablo Durana
  • A landscape shot of two parachuters in the sky over the snowy Rockies mountains.

    Photo by Pablo Durana
  • Photo by Dave Pearson

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