Reunion

In his 31st season as music director of the Madison Symphony Orchestra (MSO), Grammy and Tony Award-winning conductor John DeMain is noted for his dynamic performances on concert and opera stages throughout the world. American composer Jake Heggie assessed the conductor’s broad appeal, saying, “There’s no one like John DeMain. In my opinion, he’s one of the top conductors in the world.” In January 2023 he received a Lifetime Achievement Award from the National Opera Association, the NOA’s highest award.

During his three decades in Madison as the MSO music director, DeMain has consistently raised the quality of the orchestra by introducing blind auditions and continuously expanding the repertoire to encompass ever more challenging and virtuosic works, including the highly-acclaimed performances of the complete symphonies of Gustav Mahler. DeMain also oversaw the move into the world-class Overture Hall and expanded the subscription season to triple performances.

His active conducting schedule has taken him to the stages of the National Symphony, St. Paul Chamber Orchestra, the symphonies of Seattle, St. Louis, Pittsburgh, Detroit, Columbus, Houston, San Antonio, Long Beach, and Jacksonville, along with the Pacific Symphony, Boston Pops, Aspen Chamber Orchestra, Los Angeles Chamber Orchestra, London Sinfonietta, Orchestra of Seville, the Leipzig MDR Sinfonieorchester, and Mexico’s Orquesta Sinfónica Nacional.

Prior engagements include visiting San Francisco Opera as guest conductor for General Director David Gockley’s farewell gala, Northwestern University to conduct Carlisle Floyd’s Susannah, and the Washington National Opera at the Kennedy Center in D.C. to conduct Kurt Weill’s Lost in the Stars. In 2019, he conducted the world premiere of Tazewell Thompson’s Blue at the Glimmerglass Festival to critical acclaim — he “drew a vibrant performance from an orchestra of nearly 50 players; the cast was superb.” (The New York Times) He was also planning to conduct the premiere of Blue at the Washington National Opera in March 2020.

DeMain also serves as artistic director for Madison Opera and in their 2023–2024 season conducts Tosca, The Anonymous Lovers, and Candide. He has been a regular guest conductor with Washington National Opera at the Kennedy Center and has made appearances at the Teatre Liceu in Barcelona, New York City Opera, Michigan Opera Theatre, Los Angeles Opera, Seattle Opera, San Francisco Opera, Virginia Opera, Lyric Opera of Chicago, Aspen Music Festival, Portland Opera, and Mexico’s National Opera.

During his distinguished 17-year tenure with Houston Grand Opera, DeMain led a history-making production of Porgy and Bess, winning a Grammy Award, Tony Award, and France’s Grand Prix du Disque for the RCA recording. In spring 2014, the San Francisco Opera released an HD DVD of their most recent production of Porgy and Bess, conducted by John DeMain.

DeMain began his career as a pianist and conductor in his native Youngstown, Ohio. He earned his bachelor’s and master’s degrees at The Juilliard School and made a highly-acclaimed debut with the Pittsburgh Symphony Orchestra. DeMain was the second recipient of the Julius Rudel Award at New York City Opera and one of the first six conductors to receive the Exxon/National Endowment for the Arts Conductor Fellowship for his work with the St. Paul Chamber Orchestra.

DeMain holds honorary degrees from the University of Nebraska and Edgewood College and he is a Fellow of the Wisconsin Academy of Sciences, Arts and Letters. He resides in Madison and his daughter, Jennifer, is a UW–Madison graduate.

Cuban-American cellist Tommy Mesa has established himself as one of the most charismatic, innovative, and engaging performers of his generation. The recipient of the Sphinx Organization’s 2023 Medal of Excellence, its highest honor, Mesa has appeared as soloist at the Supreme Court of the United States on fouroccasions and with major orchestras including the Los Angeles Philharmonic at the Hollywood Bowl, The Cleveland Orchestra, The Philadelphia Orchestra, and the symphony orchestras of Indianapolis, Madison, New Jersey, San Antonio, and Santa Barbara, among others. Mesa gave the world premiere and subsequent tour of Jessie Montgomery’s cello concerto in the 2022-23 season, with performances at major halls across the United States and Brazil including Miami’s New World Center and Carnegie Hall. His orchestral recording debut of the work was released in July 2023 on Deutsche Grammophon.

Orchestral highlights of the 2023-24 season include an extensive performance tour of Cuba and performance debuts with the Calgary and Fort Wayne Philharmonic Orchestras; the Ann Arbor, Bay Atlantic, Columbus, Greenwich, Gulf Coast, Knoxville, Quad City, Reading, Waterbury Symphony Orchestras; and Boston’s Pro Arte Chamber Orchestra. Mesa returns to the Indianapolis Symphony as cocurator and featured performer for their chamber music series this season, premieres a new work by composer Andrea Casarrubios to kick off the new season at Bargemusic in New York, and will be featured in solo recitals with pianist Ilya Yakushev throughout the country including Jamestown (Rhode Island), Laguna Woods, and Sarasota. Past performance features include recitals at The Academy of Arts and Letters, Bay Chamber Concerts, University of Miami’s Signature Series, Columbia University, Flagler Museum, The Heifetz Institute, California Center for the Arts, Meadowmount School of Music, Strad for Lunch Series, International Beethoven Project, Perlman Music Program Alumni Recital, and major universities across the United States.

This season celebrates several new recording releases and subsequent tours, including albums with pianist Michelle Cann and with bandoneonist/composer JP Jofre. In the spring of 2023, Mesa was featured in an exclusive artist showcase on NYC’s classical station WQXR that included selections of his upcoming album of world-premiere recordings by Black and Latinx composers with Cann. He also has an album release scheduled with pianist Olga Kern in 2024 and with The Crossing Choir in 2025.

Valerie Coleman is regarded by many as an iconic artist who continues to pave her own unique path as a composer, GRAMMY®-nominated flutist, and entrepreneur. Highlighted as one of the “Top 35 Women Composers” by “The Washington Post”, she was named Performance Today’s 2020 Classical Woman of the Year, an honor bestowed to an individual who has made a significant contribution to classical music as a performer, composer or educator. Her works have garnered awards such as the MAPFund, ASCAP Honors Award, Chamber Music America’s Classical Commissioning Program, Herb Alpert Ragdale Residency Award, and nominations from The American Academy of Arts and Letters and United States Artists. Umoja, Anthem for Unity was chosen by Chamber Music America as one of the “Top 101 Great American Ensemble Works” and is now a staple of woodwind literature. Read her full biography at vcolemanmusic.com.