Kanopy Dance Company
Puppet Master

Thursday, October 2 - Sunday, October 5
Reception following Friday night performance
Promenade Hall
Adults: $56.48
Groups of 4 or more: $50.20
Ages 18 & under / Students: $29.27
Ticket prices reflect sales tax, facility and phone/online fees
Runtime
90 minutes, including one intermission
Age Recommendation
All ages
A Glam Rock Ballet
“Puppet Master” will be the ultimate theatrical experience in visual storytelling. Vibe to the dynamic energy of animated stage lighting, moodscapes and other special effects… all synced to creative dance moves and the powerful beat of cello metal!
Concertgoers will chill and delight as they follow the tormented Mohawk Man (Biker Boy) into a netherworld of enchantment and bizarre altered reality under the spell of the Puppet Master and alluringly freaky China Dolls who hold Biker Boy captive.
This dance concert will teem with the decibel drive of metal cello as dancers, veiled in fantastical glam metal garb, explore cliché and the physicality of angst with movement, lightness and a touch of ironic humor.
It’s also a great concert to let loose, have some fun and dress up as a splashy metal star. If so inspired, our award-winning New York City based costume designer David Quinn says, “Think spandex, leather, neon, studs, chains, sparkle, animal print, fishnet, everything too short and too tight... über make-up and hair-hair-hair!”
Meet the Artists

Choreographer
Robert E. Cleary
Robert E. Cleary (Cleary) artistic director of Kanopy Dance has toured, performed, choreographed and taught throughout the United States and Denmark. He trained intensively at American Ballet Theatre and with Susan Klein in Klein Release Technique in New York. Critics hail Cleary as “fiery and riveting, inspired, wicked dancing… astonishing.” Cleary’s choreography has been featured by numerous presenters, including at several Arhus and Copenhagen Dance Festivals, in Chicago at the Ruth Page Center and at New York City’s Sokolow Theater/Dance Ensemble.
Thank you sponsors
Underwritten with support from Tom Neujahr & Julie Underwood, Paul & Clio Bushland and other generous support.
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