Up Close Series

Layale Chaker and Maeve Gilchrist: Smoke Veins

Collage of two portraits. (1) Headshot of Layale, a young woman with medium-light complexion, long, dark wavy hair, wearing an off-shoulder green velvet dress and holding a violin with both hands. (2) Portrait of Maeve Gilchrist, a caucasian woman with brown hair tied up, wearing a black dress seated by a window.

Friday, January 16

8pm

Capitol Theater Stage

$47.28

Age Recommendation

May not be appropriate for young audiences due to content, length or atmosphere.

Imagining the threads that stitch together our inherited worlds—the whispers of old tales passed down by grandmothers, the shadowed weight of mythologies and superstitions, scattered across time and distance, Layale Chaker and Maeve Gilchrist draw from the musical vocabularies of their respective lineages—Celtic and Levantine. This new duo traces melodic and rhythmic contours shaped by centuries of oral memory, searching for places where their stories overlap. This is not a reimagining of the past, but an exploration of a shared present that flows through us unseen. This suite of music, titled “Smoke Veins,” invites the audience to step into a newly formed world, rooted in the past but written for the present day. 

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"Haunting yet quietly rigorous… Often there seems to be more breath than voice in these wordless poems, though other times Ms. Chaker draws full-bellied sounds, or sketches out silvery arpeggios.”

The New York Times

“Both fascinating and absorbing in equal measure, [Glichrist is] an original voice.”

Scotsman 

Photos

  • Credit: Anna Rakhvalova
  • Greyscale image of a white woman with dark hair and a dark dress sitting on a ladder smiling and looking to her left. A harp is on the ground to her left.

  • Credit: Anna Rakhvalova
  • A caucasian woman with dark hair with blonde highlights pulled back and a dark outfit. She is standing next to a harp.

  • Credit: Anna Rakhvalova

Meet the Artists

Violinist / Singer / Composer

Layale Chaker

Composer and violinist Layale Chaker was raised on the verge of multiple musical streams in her native Lebanon. Her complex sound universe, described by NPR as “beguiling” with “bright and beautiful strands… gorgeous, wine-dark swirls,” lies at the intersection of classical contemporary music, jazz, Arabic music and improvisation. Her practice is committed to art as both sanctuary and crossroads—a place where ancestral narratives meet contemporary voices in a continuous reimagination of the world we inherit, live in and bequeath. A 2020-2022 Jerome Hill Fellow, Chaker is also recipient of the 2022 Opera America Discovery 2022 Award, among many other accolades.  

In 2024, her work “Qarar/Jawab” premiered at the Venice Biennale and “Dawning,” a double concerto, premiered with the New York Philharmonic. Her debut chamber opera, “Ruinous Gods,” premiered at the 2024 Spoleto Festival before its European debut at Wuppertal Opera. She also recently released a double portrait album on In a Circle Records, featuring both her classical works and chamber jazz quintet, Sarafand. 

A caucasian woman with dark hair with blonde highlights pulled back and brown eyes standing against a white wall with a harp.

Harpist / Singer / Composer / Producer

Maeve Gilchrist

Edinburgh-born harpist and composer Maeve Gilchrist has been credited as an innovator on her native instrument and taken the Celtic (lever) Harp to new levels of performance and visibility. Currently based in Kingston, NY, Gilchrist tours internationally as a solo artist and composer as well as being a member of the grammy-winning Silkroad ensemble and Arooj Aftab’s Grammy-winning Vulture Prince Ensemble. She has performed and recorded with such luminaries as Yo-Yo Ma, Frankie Gavin, Esperanza Spalding, Ambrose Akinmusire and Solas. As a composer, Gilchrist straddles the worlds of folk and classical with pieces including two original concertos for symphony Orchestra and Celtic Harp along with various works for harp and String Quartet that have been played by such acclaimed groups as the Scottish Chamber Orchestra, The Virgina Symphony Orchestra and the Aizuri String Quartet. She is a regular visiting artist at the Berklee College of Music and has had a number of instructional books published by Hal Leonard and 80 days publishing. Gilchrist has released a number of albums to her name as well as being a featured soloist on the Dreamworks blockbuster movie soundtrack, “How to tame your dragon: The hidden world.” Her most recent album, “The Harpweaver,” has garnered international acclaim including a five-star review from the Irish Times who described it as “buoyant, sprightly and utterly beguiling.... a snapshot of a musician at the top of her game.” 

Gilchrist is the artistic director of the Rockport Celtic Music festival, an innovative new festival focused on cross-curation and the outer-fringes of Celtic Music. 


Overture Blog

Maeve Gilchrist: Strings of Tradition, Notes of Innovation

A caucasian woman with dark hair with blonde highlights pulled back and a dark outfit. She is standing next to a harp.

Thank you to our Overture Presents Title Partners

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