TNW Ensemble Theater

The Rhythm Project

TNW Ensemble Theater logo

Friday, November 7 - Sunday, November 9

Promenade Hall

$38.65

Run Time

Approximately 75 minutes (no intermission)

Age Recommendation

6 and up

Southern Spain, Africa, Ireland and the antebellum American South: what do all these regions have in common? 

They’re all places that gave birth to unique forms of percussive dance—dances where the dancers make sounds as well as shapes with their bodies. See and hear all these forms in action with “The Rhythm Project,” a new interdisciplinary production featuring Irish dance, body percussion, Flamenco and rhythm tap with live music. 

“The Rhythm Project” features a diverse array of Madison’s finest percussive dancers and musicians, with a recorded narration providing historical context and wry observations about these dance forms. 

The performers are Katherine Kramer, tap dancer and choreographer; Sean Frenzel, tap dancer; Tania Tandias, Flamenco dancer; Omari Carter, body percussion; James Zavos, Irish dancer; Leah Reinardy, melodica, piano and percussion; and Laurie Lang, upright bass. 

“The Rhythm Project” highlights the surprising similarities and intriguing differences between different styles of percussive dance. Combinations are key in dance of all kinds, and in “The Rhythm Project,” they show how keeping the beat brings people together. 

This is a facility rental event presented by an independent organization separate from Overture Center for the Arts.

 

Meet the Artists

Katherine Kramer

Katherine Kramer (tap dancer), a major force for the growth and exploration of tap dance worldwide, is an accomplished artist, tap dancer, choreographer, contemporary dancer and educator. She has performed and taught across the United States and internationally, at venues such as Jacob’s Pillow, the Colorado Dance Festival and Tap Extravaganza. She received the 2018 Hoofer Award from the American Tap Dance Foundation and her tap dance archive was recently placed in the New York City Public Library, Dance Archive. 

Tania Tandias

Tania Tandias (Flamenco dancer) is the director of Tania Tandias Flamenco & Spanish Dance, based in Madison, where she teaches and performs Spanish dance.  Besides dancing with Alma Flamenca in Albuquerque and María Benítez’s Nuevo Flamenco in Santa Fe, New Mexico, she has also been a soloist with Madison Opera, the Wisconsin Chamber Orchestra and Milwaukee Ballet to name a few.  In 2016, Tandias was honored to receive the “Performance/Choreography Award” from the Wisconsin Dance Council. 

Omari Carter

Omari Carter (body percussionist) is an assistant professor in the dance department at the University of Wisconsin-Madison and founder of Motion Dance Collective (2011-2025), a screendance production company developing more than 50 screendances shown at festivals worldwide. Hailing from London, England, he performed for seven years in the West End and international touring productions of “Stomp!” Carter received an MA in screendance at London Contemporary Dance School in 2020, where he was an assistant lecturer in dance until 2023.

James Zavos

James Zavos (Irish dancer) is a recent West High graduate who Irish dances competitively at national and world championships. His choreography seeks to combine traditional steps and modern rhythms. Zavos is pursuing a dance teaching certificate and is studying to become an American Sign Language interpreter. 

Laurie Lang

Laurie Lang (musician) is an educator, community organizer, bassist, composer and current president of the Madison Jazz Society. Lang studied bass violin, Black Music Ensemble and jazz history with the late, great Richard Davi and has performed with multiple area musicians. She has worked as a jazz artist-in-residence in K-12 schools, organized the Improv Music Workshop, facilitated Madison Jazz Jam and Workshops and worked on COPA Madison’s Harmony Madison project at One City Schools.   

Leah Reinardy

Leah Reinardy (musician) is a multi-instrumentalist, improviser and composer. Reinardy studied percussion and jazz piano at Hope College in Holland, Michigan, where they served as musical director for tap master Heather Cornell for two years. This transformative experience led them to intentionally seek collaborations with dancers of many disciplines, including tap, samba, maracatu and ballet.  

The Rhythm Project is made possible in part by support from the Great Performance Fund for Theater at Overture, a Field of Interest Fund at the Madison Community Foundation; the Madison Arts Commission, with additional funds from the Wisconsin Arts Board; the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts; the Neil Allen Peckett Memorial Fund; and RoseDot.

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